Regional Distinctions in Palestinian Dress, Late 19th/Early 20th Centuries
Wednesday, April 30, 2025
with Wafa Ghnaim
Until the mid-twentieth century, the dress of the Palestinian people was descriptive of identity; first by societal segment (city dweller, villager or nomad), and then by the region in which the wearer came. Within each regional style, finer distinctions in women’s dress (thobe) were expressed that shared the maker’s life and the natural world around her. Palestinian women recorded their identity in their thobe with embroidery (tatreez) through a shared illustrative language of embroidered patterns, stitching techniques and thread colors. The thobe records unwritten stories and serves as a visual register of collective and individual identities, documenting a woman’s village, tribe or town, her marital status, her familial lineage, and the material impact of colonialism, occupation, war and exile. The regional identity of the woman defines the overall governing style of her thobe, and evidence of identity is largely through her embodiment of land.
Wednesday, April 30, 2025
with Wafa Ghnaim
Until the mid-twentieth century, the dress of the Palestinian people was descriptive of identity; first by societal segment (city dweller, villager or nomad), and then by the region in which the wearer came. Within each regional style, finer distinctions in women’s dress (thobe) were expressed that shared the maker’s life and the natural world around her. Palestinian women recorded their identity in their thobe with embroidery (tatreez) through a shared illustrative language of embroidered patterns, stitching techniques and thread colors. The thobe records unwritten stories and serves as a visual register of collective and individual identities, documenting a woman’s village, tribe or town, her marital status, her familial lineage, and the material impact of colonialism, occupation, war and exile. The regional identity of the woman defines the overall governing style of her thobe, and evidence of identity is largely through her embodiment of land.
Wednesday, April 30, 2025
with Wafa Ghnaim
Until the mid-twentieth century, the dress of the Palestinian people was descriptive of identity; first by societal segment (city dweller, villager or nomad), and then by the region in which the wearer came. Within each regional style, finer distinctions in women’s dress (thobe) were expressed that shared the maker’s life and the natural world around her. Palestinian women recorded their identity in their thobe with embroidery (tatreez) through a shared illustrative language of embroidered patterns, stitching techniques and thread colors. The thobe records unwritten stories and serves as a visual register of collective and individual identities, documenting a woman’s village, tribe or town, her marital status, her familial lineage, and the material impact of colonialism, occupation, war and exile. The regional identity of the woman defines the overall governing style of her thobe, and evidence of identity is largely through her embodiment of land.